Account for the success of pop music in Britain

Pop music is music charted by the estimate of sales, plays, etc that the song receives. It is not a partitioningicular genre or trend of music, that simply the most pappaular for the tracked period of time, and commonly tar desexualizes a wide audience.To begin with I am going to address the history behind turn out music from mid 1950s to the 1970s.In the mid-1950s, Britain was tacit feeling the pain of the war, with food and m unmatchabley shortages, and difficulty still part of daily life. Britain as a country was also in fiscal trouble, the economy was in bad shape. This was a grey time, and young British muckle/ British kids had no dreams, and they could only copy the images which they saw on television or in the media from the life of kids in the States. These young Americans would be driving their own cars, and wearing the latest fashionable clothes. The British juvenility would watch and hear the latest Rock N Roll music sounds from the States with artists such as Elvis Presley.During the 1950s British children had no a separate youth culture from their parents. The transition among child and adult was nothing great or spectacular. The way that young people dressed was almost the equal as their parents. They were not a separate host with their own set and customs.British youth culture was fiddling, and was totally dominated by American trends and styles. The British music industry in the 1950s relied heavily on American music which direct to British copies, of American-style music. The music industry was controlled from capital of the United Kingdom but was out of touch with the needs and wants of the youth of Britain. However, even in this atmosphere, a uniquely British tuneful trend emerged in late 1956-57 this was called Skiffle, (a kind of open folk music vie by a small group (friends), primarily with rhythmic accompaniment, usually a washboard to a render guitarist). This simple style was casual for teenagers to play, just wholeness guitar, and someone who could mistily keep a rhythm on a washboard. Skiffle was made known by Glasgow-born Lonnie Donegan. Lonnie was hugely poppingular and, an inspiration to the musical youth of Britain. in that respect are many famous musicians and groups e.g. Eric Clapton (is an English blues- contestation guitarist, singer, songwriter and composer. He is one of the most successful musicians of the 20th centuryy) who all say that Lonnie Donegan was a elephantine influence on them. harmony was different between the South of capital of the United Kingdom compared to the North. In the cities outside of London, especially Liverpool, but also Birmingham, Manchester, and Newcastle had a musical rotation. In Liverpool, a music culture in truth different and separate from London was happening. In the North, the kids loved Rhythm N Blues, and Rock N Roll, not the easy listening music that they had in the south. By the early 1960s northern cities had a large and highly riv alrous band scene emerging in which hundreds of local bands tried to find and perform the latest imported songs from America. Indeed it is oft said that American Blues music, the music of black people, was originally from America but was found not popular but when it came over to Britain it succeeded to be popular and thats when Americans accepted it and then began to like it.In Liverpool, the music they played was a mix of the American music with a touch of the Mersey and Liverpool individualism. The innovation of a Mersey beat was born.By the 1960s there were so many great groups in this Mersey scene such as The Beatles and everyone young in Britain refractory they were issuing one. The Beatles went to America, and once The Beatles had cracked the American market, their success just kept flowing.Suddenly Britain, (mainly London), was swinging, in the swinging 60s. Britain became the centre of the music and fashion world. There was a trustworthy energy, creativity and optimism which was totally the opposite of the mood of a a couple of(prenominal) long time before.The economy that influenced the music industry in the early 1960s, the economy of Britain took off. Britain became a rich country everybody had jobs and money, including the young people. In particular the youth of Britain had started to get more money, and acquire spending power and became independent. This meant that they bought more clothes and records. one-year-old people became big business, and record companies and fashion companies wanted young people to buy their products and so advertising the message of youth.Britain succeeded largely when the US prexy John F. Kennedy was assassinated and it left America in a verbalize of shock, without a sense of direction and vulnerable. The Americans looked to England for musical and artistic inspiration, and so Britain became possessive within the music industry.The impact of US films and music inspired a series of spectacular and distinctly British youth subcultures from the mid-50s to the late-70s. Many groups decided to drop out of British society. They decided to make their own small societies in Britain. Some wanted to change the whole country as well. In 1953 became the creation of Teddy Boys/Girls this was the commencement exercise youth group in Britain. They dressed with a Rockabilly style and with quiffs, influenced by Elvis Presley, accessories such as flick-knives, crepe sole shoes, and they were typically from working-class London. They were not so subversive but rather violent.Therefore in Britain in the 1950s there was no real pop or rock music however in 1960s pop and rock music in Britain was the biggest, or second biggest revolution in the world.The culture of the 1960s was the hippies. The hippy value were a reaction to money and normality. These values were peace and love. The music of their interest was The Beatles, The Who, and Jimmy Hendrix.In 1963 became the Mods a Jamaican-rude boy/Italian-c ool style, and US soul. The music that interested them were The small faces, The who and Scooters. This group were typically from a working-class background in London. The type of fashion they led was Fashion-Green array parkas, and Italian suits.In 1976-1979 became The Punks, their interest was of artists such as Sex pistols, The clash and Bondage. Their led a fashion of leather jackets and trousers with a ripped effect held back with base discover pins.The 1980s was the return influences of pop which was having a greater impact in this cristal than ever before. Hits in the US charts came from the UK, from artists such as George Michael -Careless Whisper, Wham-Wake Me Up Before You Go Go (both 1984), George Harrison-Got My Mind Set on You and crick Astley-Never Gonna Give You Up (both 1988). The rock genre delivered a good add together of pop hits this decade, with bands otherwise protective of their roots delivering briefly into commercialism. An example is a British-America n rock band Foreigner- I Want to Know What Love Is (1985). unmatched of the big trends in UK pop music this decade was the success of the boy band and girl bands, with early successes being Manchesters Take That and Irelands Boyzone. The Spice Girls had their first hits in 1996 and dominated the next few years with many hit singles, and by the end of the decade there were many others, from boy bands Westlife and flipper to girl bands B*Witched and All Saints. Many popular songs came from female artists. A few of the most significant are Sinead OConnor- Nothing compares to you (1990), and the Spice Girls- Wannabe (1996).Following-up on the positive results of the eighties, songs from movie soundtracks continued to be popular. Defining hits of the genre hold Bryan Adams- Everything I do (I do it for you) for Robin Hood Prince Of Thieves (1991). Pop became very international in the nineties, with hits coming from diverse and distant locations but from Britain was Chesney Hawkes- The one and only (1991), and Babylon Zoo- Spaceman (1996). Plus one of the best selling singles of all time, Elton John- taper in the Wind (1997) Other British success was of the Spice Girls who have since reach Pop icons, with Global hits such as Wannabe and 2 puzzle 1.In the first decade of the twenty-first century feminine singers have had a big successful influence on the pop music, with rhythmic ballads, hip hop pieces and dance tracks, some include Dannii Minogue- I begin to wonder, and Sophie Ellis Bextor- Murder on the dance floor both in 2001.A female band called Girls Aloud created by ITV1 talent show Popstars The Rivals in 2002. work become one of the most successful British pop groups of the decade, with a record-breaking 18 consecutive Top 10 singles (including terzetto number ones) and five platinum albums (including a number one). They are ten-strike Hits poll winners, have won a TMF Award and have been put up for two BRIT Awards. Girls Aloud hold the record for the shortest time between formation and reaching number one in the UK Charts (with their platinum-selling dbut single Sound of the Underground), and have since become one of the few reality television groups to achieve continued success. For a contemporary pop group manufactured on reality television they have have unprecedented praise from broadsheet revolutionaryspapers and the rock music press, with publications including the Observer Music Monthly and the NME giving their music rave reviews. The Observer has referred to Biology as the single of the decade.Traditional rock and modern rock made forays into pop with consecrated artists and newcomers both introducing songs to the pop music, Franz Ferdinand-Take me out was a good example. Franz Ferdinand is an indie rock band that formed in Glasgow, Scotland in 2001. The band first see chart success when their second single Take Me Out which I mentioned above reached 3 in the UK Charts, followed by their debut album Franz Ferdinan d which debuted on the UK album chart at 3.Entirely digital productions integrated new technology and sounds, and as electronic (electro) dance music entered the mainstream, pop artists started exploitation producers and re-mixers which contributed their styles to the genre an example were the Gorillaz-Feel good inc.Britain hit the pop charts with artists such as Robbie Williams-feel good (2003), James Blunt- Youre beautiful (2005), and James Morrison- You give me something (2006).I conclude that Britain have been very successful within pop music, but with a very competitive competition against America. I personally felt that for each decade Britain increase their success within pop and it was down to many aspects but mainly to the talented artists in Britain and the individuality within the music itself.